Climbing Consulting for Film & TV
Climbers notice every wrong move. So do critics. Work with an expert before your production wraps — not after the reviews come in.
Book a ConsultationThese productions had budgets, crews, and talented casts — but on set there were gaps in technical accuracy. The result: scenes that broke immersion for every climber in the audience, and reviews that noticed.
Gear rigging, anchor systems, and body positioning throughout the climbing sequences contradict how real technical climbing works.
The film's vertical sequences show characters moving in ways that defy basic climbing mechanics. What's meant to feel desperate and raw instead signals to the audience that no one on set had climbed before.
A climbing-centric thriller that had every reason to get it right. The rope work, and rescue techniques were consistently wrong — a distraction that undercut an otherwise compelling premise.
These mistakes are easy to avoid. A single consultation before principal photography can catch all of them.
From script review to on-set supervision, I fit into your production wherever the climbing starts.
Send me the pages. I'll flag every climbing sequence that won't hold up to scrutiny — gear, dialogue, physics, jargon — and suggest fixes that keep your story intact.
Work with your director, DP, and stunt coordinator before you build sets or scout locations. I'll help you design sequences that look real because they are real.
I'm on set during climbing scenes to advise on gear placement, actor positioning, and rope work in real time — so you get it right in camera, not in reshoots.
I'll work with your cast and stunt team to build movement vocabulary that reads as authentic. You don't need climbers — you need actors who move like climbers.
Already in the edit? I can review rough cuts and flag the moments most likely to draw criticism, so you can address them before release.
I'll evaluate potential locations for visual authenticity, practical feasibility, and safety — and recommend alternatives when a location won't read as believable on screen.
I've spent years climbing — real routes, real rock, real consequences. I've also spent years watching Hollywood get it wrong.
Climbing for Film exists because the gap between what productions show and what climbing actually looks like is wide, obvious to anyone who climbs, and completely avoidable. I work with productions that want their climbing scenes to earn respect from the climbing community — and from anyone watching who knows the difference.
I don't just point out problems. I solve them in a way that serves your story. And yes, they can still be dramatic as all hell while being accurate.
Tell me about your project and I'll get back to you within 48 hours.